Can download Ashes To Dust pdf from our website and start reading immediately. What can be better than that? The wheat free solution: low cost, easy recipes to lose weight and regain your vitality, the kingfisher. Lcms news & information ashes to dust - william elliott whitmore| songs, reviews Ashes to Dust by Yrsa Sigurdardottir. William Elliott Whitmore Ashes To Dust Rapidshare Free Average ratng: 5,0/5 8151. Free Full Download William Elliott Whitmore 2002-2011 Discography form.
I was somewhat hesitant to post this on the blog, but ultimately, Whitmore's music needs to be heard. A few years ago he released an album, Animals in the Dark, that was the first record to be recorded outside of his trilogy of records that dealt with the feelings of loss and death ( Ashes to Dust, Hymns for the Hopeless, Song of the Blackbird ). Animals was a maturing of Whitmore's already classic style, incorporating all sorts of instruments along with some very political lyrics. The album was highly praised, and the success received form it was with great reason. Field Songs is almost a going back to form record, not necessarily rediscovering his roots (he's never lost his footing in that respect), more so a minimal take on his brand of Americana.
The record is all conceived around the idea of being one with the land around you, specifically in regards to farming. The political leanings of Animals finds it's way in the record, with a few shots towards factory farming, but songs are mostly about fully embracing yourself with the Earth. To lose one's self in the flow of nature. The album also includes many nature-like interludes, with the sounds of birds chirping and the wind blowing while the songs wind down or start up.
Those who enjoyed the fire and brimstone of Animals in the Dark, shouldn't be wary of Field Songs, Whitmore definitely has more rebellious inclinations that will manifest themselves in later records. However, especially with his growing career, one shouldn't forget what Whitmore is teaching us with Field Songs, taking moments in time to remember where we come from. Please do yourself a favor, if you even remotely enjoy this man's art, go see him when he comes to your town and show him your support. Tracks:. Bury Your Burdens in the Ground. Field Song. Don't Need It.
Everything Gets Gone. Let's Do Something Impossible. Get There From Here. We'll Carry On.
Not Feeling Any Pain. This blogs purpose is to solely serve as an outlet of ideas, thoughts, and investigations into various topics. The hope is to, at some point, have this become a zine in print, in which the pretension, sarcasm, all around good vibes, are transposed onto a paper medium. Occasionally, music will be critiqued and analyzed based on its own merits. When this happens, a download link will usually be posted. This is only to serve as a means to share with the public at large, people who enjoy the simple pleasures in the strum of a chord. If you are a featured artist and would prefer your music removed, please contact me at [email protected], and the post will be rightfully removed.
Again, this is only to serve as a means for pure enjoyment of music, not as a means for a discussion on the legality of downloadable media, in which the end product is a legal battle. If you have any other questions, comments, concerns, slander, praise, or hatemail, please send it to [email protected]. Thanks for reading.
William Elliott Whitmore's stunning debut album, Hymns for the Hopeless, a death-haunted collection of country-folk dirges sung in an ancient croak of a voice, begged the question, if an acceptance of death is both redemption and deliverance from a life of pain, struggle and regret, where to next? With Ashes to Dust, his second album, Whitmore makes it clear that the answer is simply more of the same. Like the first offering, this release practices a stern folk minimalism, with Whitmore's whiskey gargle of a voice delivering slow-burning gospel sermons to the sparse accompaniment of banjo or guitar, and when the occasional electric slide guitar enters, it seems to come from the next century, so insular is the tone here. This is country music that is still attached at the hip to gospel and the stern Baptist church hymns that are tailored to the three-note vocal range of the everyman, and Whitmore's astounding voice makes it all stick in the mind like a cautionary tale. But while most of Ashes to Dust could fit seamlessly alongside Hymns for the Hopeless, there are some subtle differences that make this album at least a partial step farther down the road to redemption. Death is still the dominate force here, and it sits atop the sequence like a huge shadow in songs like 'The Day the End Finally Came,' 'Diggin' My Grave,' and 'The Buzzards Won't Cry,' but Whitmore has decided to embrace hope and love in the fiercely romantic 'When Push Comes to Shove,' the stunning train song 'Lift My Jug (Song for Hub Cale),' and the masterful portrait of his farmer father that closes the album, 'Porchlight.'
These three songs in particular lift the album out of its harrowing fascination with death and allow some light in on the proceedings. Redemption, Whitmore appears to be saying, just might be attainable in the here and now after all. Ashes to Dust is another powerful album from one of the brightest talents on the Americana scene, one who understands that country isn't about how you wear your hat, it's about how you handle the inevitable. Steve Leggett.